聖域の美 中世寺社境内の風景（大和文華館） Scared Landscape: Images of Temples and Shrines in the Chusei Period (Museum Yamamto Bnkakan)

中世に描かれた、寺社境内の風景についての絵画を展示した、大和文華館での展覧会。

鎌倉時代の高野山水屏風などを見ると、境内の中の全体のバランスは、実際の風景に近い印象を受ける。

An exhibition at the Yamato Bunka Museum, which exhibited paintings about the scenery of the temple and shrine depicted in the Middle Ages.

Looking at the Koyasan folding screen during the Kamakura period, the overall balance within the shrine grounds gives the impression that it is close to the actual scenery.

しかし、それより時代が降った室町時代の高野山曼陀羅などを見ると、縦長の構図ということもあるかもしれないが、距離感などは実際とは違って主観的に見える。

同じ中世の絵画と言っても、描く絵師や描かれた目的などによって、絵の印象が全く違って見えるのが、実に不思議だった。

However, if you look at the Koyasan mandala in the Muromachi era, which was a little older than that, it may be that the composition is vertically long, but the sense of distance looks subjective rather than it is.

Even though it was the same medieval painting, it was very strange that the impression of the painting looked completely different depending on the artist who painted it and the purpose for which it was drawn.

(Translated by Google Translate)